![]() ![]() You tore out my trust, ripped off my smile It was a dead journey in the beginin' to endĪfter what I went through we could never be friends ![]() That's why we fell so apart but you never did care Like you did my heart, still I was always there ![]() I let you build me up just to tear me downĬuz I didn't have what it took to turn your frown around Hangin' in the balance so push comes to shove That I should've invested into my own life Now broken and broached from my so called past Took kindness from weakness and turned it to pain Only to discover you were just like the rest So I just let it be and hope for the best Long time to be free, everywhere we would meet The most painful thing is losin' yourself in the process of lovin' someoneĪnd at some point, you have to realize that some people can stay in your heartĪnd factuation, mislead the reckless passionĭown a path of lies that I had to uncover “… the fashion for romanticizing gangsters” must be denounced.You know, people always think the most painful thing is losin' the one you love in your life The three films also evenhandedly parcel out social pathology and sexual aberration: homosexuality in Little Caesar. Directed by Mervyn LeRoy from the novel by W.R. Burnett Little Caesar was first out of the gate and an immediate sensation. When Joe finds a female dancer and show business success, the jilted Caesar unhinged by a jealousy that dare not speak its name even to himself, makes his first mistakes in judgement.Ī diminutive bandit whose single-minded ambition compensates less for his stature than his repressed homosexual desire, Caesar Enrico Bandello is compact, swarthy and tightly wound his golden boy pal Joe played by the scion of Hollywood royalty Douglas Fairbanks Jr. The male triangle is completed by Caesar’s worshipful lapdog Otera (George E. Hosier long bumpy road lyrics code#ĭoubly deviant Rico dies for his social and sexual sins, asking in tight close-up and choked up tones, “mother of Mercy, is this the end of Rico?”The famous last words inspired an incisive remark from Robert Warshow on gangster psychology:” Even to himself he is a creature of the imagination” from FILMIC – From Sissies to Secrecy: The Evolution of the Hays Code Queer by Mikayla Mislak Stone) who gazes up at Rico with a rapturous desire that, unlike Rico, he barely bothers to sublimate. “This is what I get for likin’ a guy too much,” Rico ‘Caesar’ tells himself after he realizes he’s lost Joe. Joe, who he has referred to as “soft” and a “sissy.” The very pretty Joe (Douglas Fairbanks Jr.) has decided to give up the racket, to be a professional night club dancer. Robinson wisecracks, “ Dancin’ just ain’t my idea of a man’s game.” Hosier long bumpy road lyrics professional# Joe is romantically involved with Olga (Glenda Farrell). ‘Caesar’ is not only jealous of Joe’s relationship with Olga, he appears to have no use for women at all.Īt the end there is a telling close up, a well of tears in his eyes, a subtle quiver in his face. Rico cannot shoot Joe, even though he needs to keep him from squealing. The image of Robinson coming head on with his feelings reveals his struggle with the repressed love for his dancing pal. The scene is very effective when the camera closes in on Robinson, capturing his dewy, wide eyed stare. Behind the scenes what helped the intensity of the look of longing turned out to be a serendipitous moment when Robinson had to fire a pistol while looking into the camera, and was unable to keep his eyes open, each time he pulled the trigger. Eventually they had Robinson’s eyes held open with cellophane tape. The effect worked perfectly.Īnother interesting point in Little Caesar that hints at his latent homosexuality is a scene that highlights his clumsy fussiness. Rico is trying on a tuxedo and gazing at himself in the mirror. Posturing gleefully as he swishes at his own reflection. In this scene, Rico also becomes caught in his effete sidekick Otero’s (George E. Stone) gaze, who joyfully watches his boss flit for the mirror. ![]() In The Public Enemy (1931) there is a noteworthy scene, when Tom (James Cagney) goes to his tailor to get fitted for a suit. Hosier long bumpy road lyrics professional#. ![]()
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